Monday, December 21, 2009

the Flat Duo Jets

Sometimes, when my day is going shittily and my mood is that of a constipated Victorian gentleman from an Oscar Wilde play, I have this strange, depressing attack of panic where I feel like I've found all there is to find musically in the world. You ever get that? You're sitting at home, in front of the computer, with all the expanses of the internet and the world at your fingertips, and you can't think of a damned thing to watch, listen to or read.

Then something magical happens. Someone gives that Victorian gentleman a colonic and out comes my new favorite album (try to get that image out of your head, i dare ya).

Ladies and Gentleman, The Flat Duo Jets.

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A little background information.

The Flat Duo Jets were a (mostly) two piece rockabilly/cowpunk/blues band who formed in North Carolina in the mid 1980's and broke up in the mid 90's, giving them just enough time to create one of the most unique sounds in the history of modern rock, meanwhile helping to spawn an entire genre of music (neo-garage) and leading to the possibility of such bands as The Strokes, The Black Keys and, especially, The White Stripes. This prototypical Guitar/Drums band is the REASON we're rocking out to such White Stripes cuts as Rag and Bone, one of the best songs on Icky Thump. Jack White regularly cites this band as a major influence, and you can hear it in dozens of other bands that have climbed the charts in recent years.

Now, I understand that this sort of puts more credo to the idea that Jack White steals everything he does but, hell. Everyone does. Zeppelin, the Doors, the Stones, even the Beatles were accused of plagiarism in their days, and they've stood the test of time.

The thing that I find so impressive about the Flat Duo Jets is this. I first heard of them, and heard a little of their music, in the documentary It Might Get Loud, where Jack White, The Edge and Jimmy Page show their musical influences, history and jam a little bit. White was ranting about how big of an influence they were so I figured I should check them out. The internet, being the tidal wave of access that it is, seemed unable to do much in terms of giving me free Duo Jets albums (because everyone knows only chumps pay for music. Kidding). The only one I could find, repeatedly, was a live album called Two Headed Cow , which is actually the soundtrack of sorts to a documentary of the same name based around the band (the documentary hasn't got a wide release yet, but you can find it if you look hard enough). I was hesitant to take a live album as the first impression I have of this band, especially considering what I presumed would be the result of such a live album: the sonic thinness that some White Stripes and Black Keys live cuts yield.

My my my, how I was wrong.

This album blows the hinges off my expectations. It's everything I love in music right now: Rawness, looseness, speed, attitude, and tons of distortion. With the charts, radio waves and clubs dominated by slicked over Kanye or Timbaland or Lady Gaga songs that sound like a computer on a spaceship in a Kubrick film approximating what it THINKS music sounds like, this album sounds like The Black Keys and the White Stripes covering Link Wray in a barroom in Hell. Cuts like Rawhide show how dynamic this band can sound even in an instrumental, while Frog Went a Courtin' proves that even centuries old songs can be shined up and made new by a few kids with electric guitars and grease in their hair.

This album, and this band, are clearly an important piece of musical history, and a good look at where some of the best music of today learned it's chops. And it's also incredible for this reason: although the band only recorded from the mid 80's to the late 90's, every one of their tracks sound timeless, at once raw and polished, like that old guitar in your closet with the bent neck and the broken tuning keys. Sure, it may not look like much, but it can still howl.

-M

Sunday, December 20, 2009

Merry Christmas (Now I Know What A TV Dinner Feels Like)

What is it about the Christmas season that makes me want to lure burglars into my booby trap riddled home? Or defend office buildings from foriegn terrorists? Or prowl the streets of Gotham beating the christ out of henchmen?

Christmas Movies. And not just any Christmas movies, but


THE TOP TEN, PAINT CAN IN THE FACE, YIPPIE KYAY MOTHERFUCKER CHRISTMAS MOVIES LIST!

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This isn't your grandpa's Christmas Movie list (although it probably would be my Grandpa's list because he was a badass). Movies that will NOT be appearing on my (definitive) list: It's A Wonderful Life, Miracle on 34th Street, The Santa Clause. Why? Because they're fucking BORING. Extremely goddamned boring. Know why? It's simple: No explosions, no gun fire and no 'mobiles' of the Bat variety. Christmas movies that kickass need to get their time in the sun, and that's what I've come here today to do. So here it is. The OFFICIAL BEST TEN CHRISTMAS MOVIES EVER THAT CONTAIN EXPLOSIONS OR BAT SUITS OR OTHER AWESOME THINGS.

I don't like too much hugging or learning from a yuletide cinema experience. I like a lot of terrorists getting blown away or a lot of supervillains getting beaten up. Or At the very least, Muppets.


That being said.

10. A Muppet's Christmas Carol

I know. I know. It's a surprise entry at number ten, but have you seen this fucking film? It's terrifying! It's the cinematic equivelent of someone slipping Charles Dickens a tab of acid then whispering a David Lynch screenplay in his ears while he sleeps. This movie is all kinds of fucked up. Where to begin?

OH, how about that Ebeneezer Scrooge is played by MICHAEL FREAKIN' CAINE. Not Jim Carrey. Not Allistar Sim (for those neo-classic lovers). Michael God Damn Caine (actual middle name). A cockney, whiskey and lager drinking Ebeneezer who's not going to cower in the corner because some queer little ghost friend comes back from the dead to tell him he's a bad person. He's gonna punch that ghost in it's stupid ghost face. Which brings me to my next point:

The Ghost Of Christmas Yet To Come. What. The. Fuck Henson Company. I was six years old when this came out in 1992 and the second this character came on screen, I broke my two year No Accidents streak by promptly wetting my pants. I know he's supposed to be a harbinger of all the bad things Scrooge has brought on himself and others, but is it really neccessary to frighten the childhood audience with a literal Apparaition of Death Himself? That's just mean. But effective. Which is why Muppet Christmas Carol sneaks into the list at number ten. That, and fucking Muppets. Throw them in your film, it makes every top ten list.

9. Scrooged
I know. I know. It's basically the same movie right? WRONG ASSHOLE. Scrooged is awesomer than every other rendition of Dicken's Christmas Carol for one reason summed up in five words: Bill Ghost Bustin' Ass Murray. As soon as his pock marked face and ridiculous 80's hair come on screen, I know I'm in for a cynical, mean and slightly condescending movie disguised as a family comedy. Case in point? Groundhog Day. Family movie? Wrong. Bill spends the entire middle section of the moving repeatedly committing suicide. If that isn't a great metaphor for life, I don't know what is: even when you want to end it all, life finds a way to make you stick around until the bitter, dissapointing end (I always turn off the movie when bill starts doing good things. That's just stupid).

In Scrooged, Murray plays Frank Cross, a crass and evil television executive bent on world domination...or underpaying his employees or something. Actually, I can't remember him doing anything that I didn't find either awesome or hilarious, so I'm not sure I'd agree he's a candidate for the Christmas Learning Timewarp, but I guess that's why I'm not a vengeful spirit. Yet...

Also: Ghost Taxi. Always an excellent addition to your film. So's Bobcat Goldthwait for that matter. Anyone named Bobcat's gotta be worth a few extra points.

8. Edward Scissorhands

I'm kidding. I hate that fucking movie.

8. Batman Returns

That's better! Edward Scissorhands has NOTHING on this creepy, violent, slightly frightening outing by the winning team of Tim Burton and Michael Keaton's Awful Haircut (in case you haven't noticed, bad haircuts are pretty much standard in all awesome Chrsitmas films). And for those of you that forgot this movie takes place during the holiday season, you're about to get schooled.

Reasons this film makes for excellent Holiday viewing:

A. Michael Keaton's portrayal of the Caped Crusader. Veering left from the later celebrated Brooding Bitch portrayal popularized by Val Kilmer and Christian "What Don't You Fucking Understand?" Bale, Keaton instead decided to make Batman look, act and live like a bored accountant, barely able to lift his sagging ass out of bed to go to work (even though work for him consisted of kicking ass and driving a Batmobile).

2. Batman KILLS people. A LOT of people. Watch it again and try to keep up with the body count. I mean, it's one thing for the Dark Knight to kill the bad guy at the end of the movie. By then the villain's done so many horrible things that not killing him would make no sense. But in THIS film, Batman kills EVERYBODY. And not even in merciful, Bat-like ways. He torches one guy alive with his car's jet engine for christ's sake.

C. Michelle Pfiefer's ass. That's it.

7. Ernest Saves Christmas

Like I need to explain this one. Next.

6. Silent Night, Deadly Night

If you haven't seen this document of insanity yet, do yourself a favour: rent it, sit down, and prepare to be equally confused and offended. Check out the IMDB plot summary :

"After his parents are murdered, a young tormented teenager goes on a murderous rampage dressed as Santa, due to his stay at an orphanage where he was abused by the Mother Superior."

Confused? Well, you shouldn't be since that's ACTUALLY WHAT IT'S ABOUT. The plot makes no sense, the acting is horrible, the violence is strange and unsettling and best of all, the dvd comes with the transcript of a letter Mickey Rooney sent the producers and director of this film BEGGING them to reconsider releasing it and chastising them for being such horrible people. If you can anger the Mickster simply by showing up at work in the morning, your film definitly deserves the number 6 spot on my list. Extra points for allowing not one but FOUR sequals to be spun from this lamentable but highly entertaining Christmas Miracle.

5. Santa Claus Conquers The Aliens

Wow. What to say about this movie other than it just recently passed into public domain, so with a little bit of effort you can watch it online in it's entirity. Enjoy.

4. Bad Santa

Just when the Christmas Movie landscape was looking dull, childish and booooring, this little jem comes along and restores that old glow in my stomach (although that may be the rum nog I'm drinking).

This movie's got it all. Billy Bob Thornton, excessive drinking and fucking, a midget, and a scene where Santa rails the mom from Gilmour Girls, successfully completing every middle aged man in the worlds fantasies in less than a minute of screen time. Billy Bob is at his ascerbic best, weather it's insulting his young boy companion (a dumbfounded Brett Kelly in what I hope is his only role because, frankly, I think he's actually handicapped) or screaming rascist insults at a plastic mule (literally caused me to fall out of my chair when I watched it last Christmas but, again, that may have also been the Rum Nog).

In summary, Billy Bob can insult Canadian music audiences all he likes, as long as he continues to drink bourbon and call children "Fucking Retards". Makes you want to whistle Jingle Bells while burning down an orphanage, don't it?

3. Die Hard

Holy. Shit. Fucking Die Hard. How do I even explain this brilliant movie without using words like "Yippie Kiyay", which aren't even words. 2 Hours and 13 minute of Bruce Willis KTA (Kicking Terrorist Ass). You've got Bruce, Alan Rickman, a random black limo driver named Argyle, titties, cocaine. Everything awesome about the 80's.

When the opening titles of this movie show up, I just get the kind of childlike giggles that only happen when you're about to witness a Christmas miracle. A few things about Die Hard :

The German terrorists have a random black computer tech. This is awesome.

Bruce Willis' wife in the movie advises a pregnant woman to drink alcohol. This is awesome.

The title of the movie, Die Hard, makes no sense. This is awesome.

Bruce Willis, in a surprise turn of events, does NOT have a stupid haircut. And somehow, this is awesome.

The City Worker in the manhole who calls in to the head office to turn off the grid? The limo driver from Blank Cheque. IMDB it and bow down to my glory.

In summary, Die Hard is a perfect example of why to not fuck with Americans at Christmastime: cause Bruce Willis, that's why. Yippee Kiyay MISTER GRUBER (tv edit).

2 and 1!:

Home Alone 2 and 1!

That's right! Both of Kevin McCallister's Burglar Filled Epics are taking the gold medal and the runner up on my list. Why? I'm glad you asked.

Being a kid, you have to learn lots of things the hard way. Not to fuck with bees nests, dont take candy from strangers, dogs might bite you. But there's one thing no kid ever had to learn: how to THROW DOWN ON BURGLARS. The reason for this? Home Alone.

Home Alone, produced and written by the late, great John Hughes, tells the story of...why the fuck am I explaining it to you? If you haven't already watched this set of movies at least a hundred times throughout your life, then you're either in a coma or a terrorist. And if you're a terrorist, I must warn you: Die Hard.

Reasons why Home Alone One and Two are amazing:

Hilariously awesome hair,clothes and lines curtesy of the wonderful decade knowns as the 1980's ("Look what ya did ya little jerk" anyone?).

Kevin McCalister, a 7 year old, calls him mom "Stupid".

John Candy. Seriously. How many times do you get halfway through this film and go "HOLY SHIT I FORGOT YOU WERE IN THIS"? The answer is Every time.

New York. The sequal takes up right where the last one left off: Christmas. Did Kevin learn anything from his INITIAL run in with being alone and fighting burglars? Fuck no. He's just as stupid and crazy as before. Seriously, what other 8 year old gets on the wrong plane, ends up in the wrong city, and then just kind of goes "Oh well!" and goes about his day? Only one. Kevin.

Joe Pesci and Daniel Stern. Watching Pesci and Stern scream in agony at the hands of Kevin's surprisingly deadly traps almost makes up for the fact that both actors no longer have a career. Their legends are set in stone the second the Wet Bandits make their first appearence.

Kevin's traps. How many parents do you think got concussed, cut, burned or (dare i say it) killed because of this fucking movie? These days it would have resulted in at least a dozen lawsuits, but back in the 80's men were still men and people were batshit crazy. I know of at least four seperate occasions where I injured my own mom with cockamammy booby traps. And the best part? The John Hughes Cartoonish Violence resulted in little or no injury to the parties involved, so every kid was duly surprised when the boobytraps resulted in traction for their parents, siblings or mailmen.

Tim Curry. In the second film, you spend less time worrying about the murderous burglars and more time wondering if Tim Curry is going to rape Macauley Culkin.

John William's Score. The creepiest fucking Christmas sounds since the screams of Jesus filled quiet subburban Jeruselem so many years ago.

Christmas Joy. I know, I know, I promised no hugging or learning, but the endings of these movies just make you want to swing paint cans from every staircase in the house until you knock Joe Pesci's teeth out. Catherine O'Hara is definitly my favorite Candian Actress, and she just typifies "Mom". Also, watching her lose her shit is hilarious.

Well, there you have it. My Christmas Movies That Kick ASS list. If you don't like it?

Tough shit. Make your own list.


-M